3/31/2023 0 Comments Puer natus est nobis![]() ![]() The motet is set for four part unaccompanied choir (SATB) and is part of Robert Hugill's sequence of motets Tempus per Annum setting the Latin introits for all the Sundays in the church's year and for major feasts. A.Publisher: OXFORD UNIVERSITY PRESS, INC. Based on a sixteenth-century plainchant, it creates a chance for your choir to sing beautifully in unison, allowing the singers and the listeners to focus on the text. The work was premiered in 2009 by Alistair Dixon and the Chapelle du Roi, at St. MEDITATION, POSTLUDE, CANTILENA, PUER NATUS EST NOBISCopyright date: 2001Media type: Publication city: U. Andrea Ramsey's arrangement of Puer Natus Est will be a unique addition to your Christmas repertoire. Gregorian Chant: Puer qui natus est nobis - Introitus/In Nativitate Domini ad Missam in die - Choralschola der Wiener Hofburgkapelle, Hubert Dopf S.J. Genre: Sacred, Motet : Introit for Christmas Dayĭescription: A setting of verses from Isaiah 9 and Psalm 97 which form the Introit for Christmastide, the Nativity of Our Lord, Third Mass during the Day. La obra de arte es del monasterio de Santo Domingo de Silo Show more Show more Canto. Source of text: Psalm 98 (Latin Vulgate Psalm 97), Isaiah 9 Canto Gregoriano, Puer natus est nobis, Introit Modo VII, Los Monjes Benedictinos de Santo Domingo de Silos. Score information: A4, 6 pages, 132 kB Copyright: CC BY ND Edition notes: Original Composition by Robert Hugill Other works recorded here include what is possibly Tallis’s earliest work, the four-part Latin Magnificat, and the gloriously splendid Videte miraculum, a masterpiece with a ‘rich palette of colours, enhanced by suave melodic writing with a slow-moving harmonic pulse tinged with heart-achingly gorgeous cadences’.Music files L E G E N D Disclaimer How to download ICONĮditor: Robert Hugill (submitted ). It is a shame that Tallis wrote no more in this vein but, perhaps like Mary’s short-lived Restoration, it was a piece of the moment not to be repeated’. Puer natus est nobis is the introit for the Mass of Christmas Day and, in the Extraordinary Form, its Octave. In his fascinating booklet notes Andrew Carwood writes that this Mass is ‘something of a marriage between the English and Spanish Chapels, not only in its scoring but also in its sound world … the piece is sonorous and rich, a gorgeous background tapestry for a solemn celebration of the Mass, and has wonderful dramatic effects including the use of antiphony or dialogue between voices. Terms in this set (14) Mass for Christmas Day Introit: Puer natus est nobis Text Setting: syllabic, melismas on e Texture & Style: chant, monophonic, free rhythms and generally small intervalic leaps-revolves around reciting tone of mode. ![]() With significant divisi, this challenging work features some mixed meter and beautifully shifting tonality in a colorful choral texture. These recordings not only showcase the greatest repertoire of the English Renaissance in dazzling performances, but also illustrate the complex historical and political background of the works and their genesis.This volume presents Tallis’s extraordinary seven-voice Mass, Missa Puer natus est nobis, which dates from the Catholic reign of Mary I. Puer natus est nobis Composer, Isaac, Heinricus Bible Conductor, Clemencic, Rene Choir, Choralschola der Wiener Hofburgkapelle Vienna Boys Choir. This a cappella setting of the traditional Latin text for Christmas features a lush harmonization and a unique melodic voice. Gramophone Record of the Year-winning group The Cardinall’s Musick continues its exploration of Tallis’s sacred music.
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